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Original topic: Chen Yinke and Song Peninsula (Part 1)
Author: Zhou Jingyao
Baocai NetworkSource: This article was published in “Chinese Academics” (edited by Liu Dong) 2016, 36th
Time: Confucius was the 2568th year of the year Dingyou, Jiashen
Jesus June 26, 2017
For a long time, Chen Yinke’s research and discussions may be concentrated in the field of history, or use it as the target of historical research and discussions, and rarely see There are occasional discussions on his poetry, mostly focusing on Tang poetry, Ming and Qing poetry. Because of the “Yuanbai Poetry Certification Draft” and “Liu Rushi’s Different Commentary”, his poetry learning attitude can be considered from these more systematic and sufficient works, but most of the writers tend to use poetry history. Chen Yinke’s poetry learning is hidden but not obvious, so Baocai.com There is no special discussion on his poetry history today, and as for his relationship with Song Pope, he is even more at ease. In the late Qing Dynasty, when Song Pen (school) was in a sluggish atmosphere, Chen Yinke was influenced by Song Pen (school) in peace. Although his works on Song Pen are not a word without mentioning them, it can be seen from his works that he is quite familiar with Song Pen. Especially in 2006, Chen Yinke, who was punished by Chen Yinke, who was punished by Zhang Qiu, gave us more direct and clear about the relationship between Chen Yinke and Song Feng. Although there were only a few dozen annotations, Su was hiding rich academic information, “from this, he could dig deep into the details, or to highlight the key points of the inter-certification of the poems and history of Teacher Yinke and the integration of ancient and modern times, or to promote the profoundness of modern poetry research.” [ii] This statement is indeed, and this annotation can not only examine the key points of mutual verification of Chen Yinke’s poems and history, but also help to develop its pure origin relationship with Song poems. Those who can still discuss it are not just one of the relationship between Chen Yinke and Song poetry, but also the concept of poetry and theory of poetry and theory that can be explored in this way. The comments that have been seen are very detailed about Chen Yinke’s poetry and their connection with Song Poetry, so these two ends can be summarized by the annotation of “Song Poetry Jinghua Records”, and only this has been added to Chen Yinke’s research.
Zhi Tianle in “The Year of Teacher Chen Yinke” said: “The teacher is not only a big historian, but also a master of old poetry. The teacher’s teachings are very profound in their income and expenditure in the Tang and Song dynasties. Especially the Song dynasty has worked hard for a long time.Learning is true. It is often taught to read Song poetry to treat common diseases, and its purpose is obvious. ”[iii] The person Chen Yinke taught was Wu Mi. He told Wu Mi in “The Poems of Rain Fallen Flowers” in 1928: “It is the most difficult to avoid slipping when writing a poem. If this disease is a disease, the Song people will not be careful. Because the Song people learned the Tang Dynasty and the ancient poems, they all had the same experience as us, so there is a way to learn from them. ”[iv] These two passages reveal at most two information. On the one hand, Chen Yinke was deeply immersed in Song Poetry; on the other hand, Chen Yinke’s understanding and touching infection of Song Poetry directly originated from his family. Song Poetry’s status in his family is a certain meaning of the interest and civilization of the late Qing Dynasty Poetry The appearance of the spirit. We will discuss the causes of Chen Yinke and Song Polygon from these two aspects and the origin and nature of their poetry concepts.
The first aspect is important to investigate the relationship between Chen Yinke’s works from Chen Yinke’s works. Yu Dawei wrote an article after Chen Yinke’s death Bao Hui “Talking about Teacher Chen Yinke” describes his academic essence. Regarding the study of the Ji Department, he said: “Yinke believed in Tao and Du. Although he liked Li Bai and Li Yishan’s poems, he did not think they were inferior. If Teacher Yinke rewrites the “Psychics”, Taibai and Yishan Poems would be afraid of being listed as second-class. He especially loves the popular poems, so he highly recommends Baitiao Mountain. “[v] What Yu said is certainly not a dull, but Fan Feng ignored Chen’s Song poem that he had “worked for a long time”. In fact, Chen Yinke not only immersed in Tang poems, but also focused on imitating Song poems. He had close contacts with Song poems in teaching, research and creation. Tang Dynasty Pen and Song Pen are a part of the courses taught by Chen Yinke. From 1936 to 1937, he planned to start the “Literature Experts Research” course, and attached a course description: “Please those who are enough to express a period of literature or create a unique style to study and criticize. “Literature Experts” include: 1. Cao Zhi, 2. Ruan Ji, 3. Tao Qing, 4. Xie Linghua, 5. Feng Zhao, 6. Yu Xin, 7. Wang Wei, Sweetheart Baobabaobaobaobao.net8, Li Bai, 9, Korean Yuyu, 10, Liu Yuxi, Yuan Zhen, Bai Juyi, 11, Li Jin, 12, Li Shangming, 13, Eunuch, 14, Su Zhi, 15, Huangting, 16, Luyou, 17, Yang Wanli, 18, Zhou Bang, 19, Xin Qingji, 20, Jiang Kui, 21, Wu Wenying. [vi] This class not only provides us with a copy of Chen Yinke. The list of reading and receiving of poetry songs also provides a clue to our exploration of the pure source relationship between poetry songs and Chinese poetry songs. Of course, his relationship with Song poetry and his concern for Song poetry can also be seen from this. For example, there are 23 people in this course and “literary experts”. , a total of 21 topics were established, including six people in Wei Dynasty, six topics, nine people in Song Dynasty, nine topics, eight people in Tang Dynasty, six topics, Liu Yuxi, Yuan Zhen, and Bai Juyi were one topic, [vii] Using this, Chen Yinke’s attention to the poets of the Song DynastyThe level is higher than that of Wei and Tang dynasties. However, the experts listed in the course did not give all the lectures. They heard the records of Bian Senghui who was studying Chen Yinke. In the autumn of 1936, he had started the course of “European and Yang Training” in the Chinese Department of Qing Dynasty. Most of the time, Chen Yinke’s special courses on the Song Dynasty were discussed, as long as he had one person. The essence of this course is:
The history of Chinese civilization. After the Qin Dynasty, the Six Dynasties and the Song Dynasty were two periods of great excitement, and it has not yet surpassed the Song Dynasty. This course will be studied in Europe and the Sun to talk about Song Dynasty. The so-called Song Dynasty is not a Song Dynasty that is opposite to Han, but a Song Dynasty in a broad sense, including poetry, history, science, education, thinking, etc. What I said does not focus on the lyrics, but talks about all the relationship between Song Dynasty and today, and what I think is not enough to express my opinions, so this course is actually the first step in studying the history of Song Dynasty. [viii]
He asked students to discuss European and Yang cultivation based on the “Five Dynasties History” and its selection. It was not to discuss the historical events of the “Five Dynasties History”, but to discuss the “understanding, speech and actions of literary scholars, politicians, and major scholars in the Song Dynasty. They also contacted the words and deeds of the main figures in his surrounding areas.” [ix] Course wrote “Five Dynasties History Notes”, cherishing the defeat of the war in the war. [x] In addition to teaching related to Song Penis, he had a plan for the “Jiangxi Penis School of Study” as early as 1930. [xi] The information discussed by Chen Yinke as a topical Song Pen is only seen by these few. Compared with the teaching and discussion of Tang Pen, Song Pen is a bit disgusting. This may be one of the reasons why the researchers ignore the relationship between him and Song Pen. However, from the following courses, his attention to Song Pen is absolutely no less than that of Tang Pen, but he has no topical works published. In fact, Song Pen is often mentioned in his works. For example, in Chen Yinke’s poems, we find that his connection with Song Pen has a very secret and specific manifestation.
The “Collected Poems” by Chen Yinke, which was published by Beijing Sanlian Bookstore in 2001, included more than 290 questions and more than 340 poems. If Hu Wenhui included the “anonymous poems” edited by Chen Yinke’s poems, the total number of Chen Yinke’s poems is more than 350 questions and nearly more than 400 poems. Judging from these poems that have been published, Chen Polygon has a deep source of poetry and poetry in the Tang and Song dynasties, and has more connections with poetry than poetry in the Tang dynasties. There are many people who have written poems and sentences from poetry in the Song Dynasty, and the poets and lyrics who are also higher than those in the Tang dynasties. The Song Dynasty “
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